We choose from a range of Sony Cameras that we match the requirements of your project. From the Sony XDCam 700 for high-end broadcast, The Sony FS5 for 4k, and the Sony A7s for web, low-light, and camera stabilizer work.

We deliver footage in the exact format you require. Whether it’s PAL, NTSC, S-LOG, Prores, DNxHD, or low-res proxy files to get your offline edit started fast.

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We own a set of CineAlta Sony PL Prime Lenses, which help create spectacular images. We also have an extensive collection of Canon L-Series lenses that we draw from., including the 16-35, 24-70, 24-105, and 70-200. In addition, we have an interesting collection of ultra-prime lenses to achieve an extreme shallow depth of field look.

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While a number of camera operators have switched to LED panels, we still believe that nothing beats the look of Kino Divalites. We own a number of Kino Divalite 201s that really excel in lighting interviews. We also have a collection of Dedolights which we love using as well. Our collection rounded out with a redhead kit and LED panels for working fast.

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Our crews always come equipped with a Miller tripod, Atomos Shogun, and Macbook Pro. We also have a collection of other tools you can request like camera sliders, mini crane, autocue, DJI Ronin. For location filming, we’re equipped with an off-road crew vehicle for remote shoots.

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